08 Sep Spotlighting Kufreh Emmanuel
Meet Kufreh Emmanuel, a passionate music video and film editor who thrives on the intricacies of his craft. With a role that encompasses editing, production supervision, and ensuring alignment with directors’ visions, Kufreh’s journey is a testament to his dedication. In this interview, we find out how Kufreh got into video editing and what motivates him.
How did you discover your passion for video editing, and what drove you to pursue it professionally?
In 2017, while I was in school in Cotonu, I used to help my friends make comedy skits. I took other free gigs just because I loved doing what I was doing and wanted to get better. I then wanted to start earning money from it. So after school, I started taking this career path more seriously. I went on to work in house with a couple of studios and eventually started working hand-in-hand with directors.
Electricity by Pheelz and Davido, Edited by Kufreh Emmanuel
Can you share a pivotal moment or project that solidified your decision to become a video editor?
Thinking back on my journey, there isn’t a single project that transformed everything for me. It’s more about a series of experiences that gradually shaped my direction. When I began collaborating with directors and taking on more gigs, something shifted. I started feeling more confident in my work. It wasn’t sudden but a gradual realization that I was finding my footing in the world of video editing.
Who are some of the best directors you’ve worked with?
The best kind of directors to work with are always those whose ideas push you to be more creative while also making sure you always have the right tools and the right amount of motivation, whether it is funds or just equipment. I love working with directors like TG Omori. Aside from the fact that he is always gingering the team to do their best, he does his best too, killing every shot and getting all the angles.
Buga by Kizz Daniels, Edited by Kufreh Emmanuel
What’s your creative process like as an editor?
My creative process as an editor revolves around grasping the director’s vision entirely. While production issues can occasionally come up, having a deep understanding of the director’s game plan fuels my post-production finesse. An important part of this journey involves maintaining an ongoing dialogue with both the director or clients throughout the editing phase. Working closely with them usually makes for better results that capture everyone’s vision.
What project have you worked on that you’re most proud of?
One of the projects that truly stands out for me is Davido’s upcoming music video “Feel.” Even though the video hasn’t been released yet, I’m genuinely excited about its potential impact. The entire process of working on it, especially during the post-production phase, has been nothing short of exciting. The level of creativity and energy that went into shaping this video was something else. I really believe that “Feel” has the potential to resonate with a wide audience and make waves across various platforms. I’m looking forward to the moment when the world gets to experience the result of our collective efforts firsthand.
Many Things by Zinoleesky, Edited by Kufreh Emmanuel
Because video editing can be very consuming, what is your work-life balance?
I am a bit of an introvert. I don’t go out very often. When I am not working, I spend a lot of time doing research on how to improve my skills or do something differently. I don’t mind it because I love what I do. I try to get out sometimes to unwind and clear my head, especially when I need to rest or to clear a creative block.
Kufreh’s passion has been his driving force, while his dedication has paved the way for his growth. His path thus far embodies the essence of a genuine artist. It highlights the impact of clear vision, teamwork, and continuous dedication to his craft.
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